Modified cover - Jazz Inside Magazine - December 2012

         




UPDATES

And So We Carry On has been listed by Jazz Inside Magazine as "One of the Top CD's of 2012" and continues to earn strong critical reviews.





New Jazz Times Review

And So We Carry On is available on Itunes, CD Baby, Amazon and Rhapsody for download
My website is the only place you can get the physical copy with this great artwork. And get a bonus track from me when you download the full CD from my website. www.cliftonanderson.net






 I am working on making appearances with my working band in January and into the new year so stay tuned for my performance postings and be sure to come out to see and hear us. You'll be glad you did.


“Clifton, you and the band played an amazing show – it is literally the talk of the town, and every single band member was warm, open, and incredibly generous as you all mingled with the patrons after the performance. This was way more than a concert, it was a real connection between people through music. Thanks for your beautiful music and for your very special presence here!”

Sean Hunley/Artistic Director –
The Center At Eagle Hill - Hardwick, MA

Eric Wyatt , Steve Williams, Me, (Donald Vega, Essiet Essiet - not pictured)

QUICK NOTE

I just played at a nice little venue in Peekskill, NY called The Beanrunner Cafe. The owners - Ted and Drew are great people and work hard to bring quality artists to Peekskill. The Beanrunner is becoming a recognized "Jazz Destination" for musicians and the public in upstate New York. Be sure to check them out.

RECENT TRAVELS

I recently played some concerts with Sonny Rollins in Europe. The band included Bob Cranshaw, Saul Rubin, Sammy Figueroa, Kobie Watkins and myself.


First stop was Vienna, Austria where we played at the prestigious Weiner Konzerthaus. 
Of course Vienna has a rich musical and cultural history in Europe, reflected in the people's appreciation for music of all genres. Very warm reception from the people and promoter Peter Polansky. I hope to play there again soon.

Then it was on to Prague, Czech Republic once known as Bohemia and one of the oldest European cities. We played at The Lucerna Hall.

Leverkusen,Germany and Luxumbourg followed.

Clockwise: Road manager -John Nave (his back to you), sound engineer- Richard Corsello, guitarist- Saul Rubin, percussionist - Sammy Figueroa, road assistant- Nick Myers, drummer- Kobie Watkins and bassist- Bob Cranshaw

We were in Europe for almost a month and the trip gave me the opportunity to play some good music in some beautiful concert halls and see some friends I haven't caught up with for a while.

I got to hang with my good friend Patrick Simek. Patrick is from Zurich but he attended the show in London at The Barbican.

Me with Patrick Simek

Patrick has seen many Sonny Rollins shows and felt the Barbican performance was one of his better ones. I've known Patrick for quite a few years. He's a saxophonist and Jazz lover, and when he's not hanging out with Chico Freeman he comes to hear us play. We decided to go out and check out some Chinese food at Wong Kei Restaurant. There we rendezvoused with my man Marcos Varela (an exciting young bassist that works with me on occassion) and Fran Hardcastle (a booking agent in the UK I hope to be working with in the near future).

Me, Marcos Varela, Fran Hardcastle and Patrick Simeck

The night of the London show was Sammy Figueroa's Birthday. We had a celebration with friends in the lounge of The Four Seasons Canary Wharf.

pictured left to right: seated Helen Mitchell and friend, Saul Ruben, Me, Patrick Simek,Bob Cranshaw, Sammy "Birthaday Boy" Figueroa, Kobie Watkins, Nick Myers and Jon Nave

Luxembourg is a beautiful wealthy city with lots of very European looking structures (smile) set on multiple levels. Very picturesque mountains and valleys.

In Luxembourg we played at The Philharmonie Luxembourg. A very modern venue.

While in Luxembourg I was able to meet up with my longtime friend Rachel Maucci. I met Rachel when she worked in the Festival office of the Juan les Pins Jazz Festival in Antibes, France where she always took good care of all the musicians performing there. She's a great person and has been a dear friend to both Bob Cranshaw and I for many years. Hope to see you again soon Rachel.

Me, with Rachel Maucci and Bob Cranshaw

Speaking of Bob Cranshaw
Bob Cranshaw celebrated his 80th Birthday on December 10th. He had a great party at the Local 802 musicians union in New York City attended by a who's who of New Yorks Jazz Community.

Bob has been a mentor to me for many years often times guiding me through difficult patches.
Besides being one of the greatest living Jazz Bassists he's also one of my favorite people in the world. I'm sure there are many others that would say similar things about him. He plays on 4 tracks of And So We Carry On.

My Trombone Logo

In Geneva, Switzerland we played the prestigious Victoria Hall. You can see how ornate the hall is as well as the impressive organ pipes.  

Backstage I met Elisabeth Christeler, the Swiss promoter, and world class photographer George Braunschweig. Two more people I hadn't seen in several years.

with Elisabeth Christeler

with photgrapher George Braunschweig

                       
                           























photos: George Braunschweig





Last but not least is one of my favorite cities - Barcelona, Spain. A port city with lots of great history, culture, food etc. With a strong Jazz audience it's always nice to play there.

If you thought Victoria Hall was ornate take a look at The Palau de la Musica Catalana, particularly the ceiling.

Palau de la Musica

 My friend Wulf Muller was in attendance in Barcelona. Wulf was responsible for signing and managing product for many great Jazz artists with The Universal Music Group. He signed and released my second CD, Decade. He now has a new position with Sony Music doing what he does best - working with artists and developing Sony's new Jazz division.

Wulf Muller and Me

RADIO

I did a nice interview with Lofton Emanari for his show "What Is This Thing Called Jazz" on WPHK 88.5 FM Chicago. Be sure to tune in and check him out. They stream at http://t.co/KL1JIUtM

Stage shot from The Vienne Jazz Festival - France

Check in for my Holiday Blog in a week or so. Till then Be Well - And So We Carry On!

      www.cliftonanderson.net

 

                                   And So We Carry On








THE COVER

I have received so many inquiries about the cover art of my new CD  And So We Carry On, that I wanted to devote some time to discuss how the cover art evolved. I also want to highlight some key people involved in the project.


After working on getting all the music recorded, mixed and mastered to a satisfactory state, the next step was developing the packaging.  

And So We Carry On, is a musical affirmation of the spiritual power inherent in human beings. It's a source that provides us with the means to overcome the challenges and hardships we face in life. There is always something, consciously and subconsciously that moves us forward. We somehow manage to prevail beyond what we see as insurmountable tasks at hand. And So We Carry On  is an acknowledgement of this action, and it's empowerment. I wanted the packaging to embody this idea so I searched for a graphic artist that would be able to understand and implement it. 

Sometimes it's amazing how things happen...... Nioka (my sweetheart - the subject of track 3, Niokim) and Vallyn (my sister) were at an event that Nioka was producing. 

Nioka Workman

Me with my sister, Vallyn Anderson

They ran into a mutual friend, photo-journalist Yasuhiro Fujioka (Fuji as his friends call him).  When Fuji asked about me, Nioka and Vallyn told him about my new recording.

They let him know that I was seeking a graphic artist to package the CD. Fuji introduced Nioka and Vallyn to a friend of his that was in attendance. That friend turned out to be Hollis King, one of the most respected creative graphic artists and designers in the music industry.

Hollis and I talked on the phone and he asked me to get him a copy of the music so he could listen and see if he wanted to get involved. I told him the idea behind the project and he asked if I was leaning toward any particular type of cover. I heard from him a few days later and he said he really liked what he heard. He said this music required a special type of artwork for the cover - I agreed. Hollis asked me to come to his house the following week because he wanted to show me some samples from a few artists.

Hollis King - photo: Leslie Jean-Bart

Hollis King is former Vice President and Creative Director of The Verve Music Group (a division of The Universal Music Group) the largest jazz record label in the world. Hollis has worked with some of the greatest musicians in the business and has received many awards and citations including five Grammy nominations. He regularly lectures at FIT, SVA, Art Directors Club and The Society of Illustrators.   Hollis runs his own creative company and is currently involved in producing a groundbreaking project about Harlem, it's people, history and evolution. The project is entitled "Images Of Dignity".

It is a massive undertaking. A celebration of Harlems' creative and eclectic African American inhabitants featuring many photos and intimate interviews. I was very pleased to take part in the project. You will definitely be hearing about it soon.

And So We Carry On - CD Packaging

I made it over to Hollis' and viewed some great samples.

There were 3 or 4 pieces that I really liked but one in particular that I found myself consistently drawn too. I chose a piece entitled U Kill US, U Kill U. It was created by Rudy Gutierrez. The adaptation of this work became the cover art of And So We Carry On .

I wasn't completely convinced at first that this piece was right for the cover. Although it did emphasized hardship, imbalance and struggle, the other pieces of the idea - hope and empowerment were not so evident. I came around after Hollis explained that he heard my music as the antidote to what the very heavy and provocative cover art represents. Again I agreed. I also became aware that every time I looked at the cover I saw something I hadn't noticed before. 

As a result of collaborating on this project Hollis and I have developed a great working relationship and lasting friendship. I am honored and priviledged to have had his creativity and expertise applied to And So We Carry On.

U Kill US, U Kill U  - Rudy Gutierrez

Rudy Gutierrez's art has been described as Wall Medicine, ancient yet contemporary, urban in a sense and musical in feel. His distinctive spirit driven paintings are recognizable for their energy and passion and speak to the ills of inhumanity as well as celebrate the Divinity of us all. He has done covers for Santana and Roy Hargrove among others.

Rudy Gutierrez with his Santana cover

Rudy Gutierrez is a tremendous artist and I suggest you pay a visit to his website, see some of his other work and learn more about him. www.rudygutierrez.net

UPCOMING SHOW

TRAVEL


I've just returned home, back in New York City from almost a month in Europe playing shows with Sonny Rollins. In the next blog I'll share some photos and insights about the trip. Till Then ........

           www.cliftonanderson.net 
                                               



                                                          

The Forum - Jazztage   Leverkusen,Germany

RECENT HAPPENINGS


I've been on the road in Europe playing shows with Sonny Rollins. So far three well received
performances in Vienna - Austria, Prague - Czech Republic and last nights' show (from where I am currently writing) Leverkusen, Germany. The great Sheila Jordan was in attendance and I was glad to see my friend Olaf van Paassen here as well.

Olaf van Paassen

                                                   

Olaf is an independent film maker from The Netherlands, currently working on a documentary of Sonny Rollins and has been very supportive of my work. 

Reiji Maruyama

I also had the opportunity to meet and be interviewed by Reiji Maruyama for Japan's JAZZ LIFE magazine. Reiji is very insightful and asked me some interesting questions about my new recording And So We Carry On, and my working band, as well as my plans for the near future. I had a nice hang with both Reiji and Olaf after the show.

Ina B. Frenz, Me 

                                                    
                                                                          
                                                                                                                               
                                                                                                           
I'd like to say that I am glad to hear my friend Ina Frenz is recovering from a successful surgery. I know you couldn't make it to the show but we played some notes for you last night!  
Hope to see you soon Ina ....... 




It's nice being back in Europe, playing to these wonderful audiences, experiencing the people and cultures but I have mixed feelings about being away from home at this time. The storm that hit New York City and the eastern seaboard of the US has been devastating to many areas. I would liked to have been present to offer assistance to those who need it back home. No one in my immediate family was harmed but I know lots of people that haven't had power for over a week and there are many, elderly and others who need help of some sort. I offer my prayers to all those affected. Remember it wasn't just The United States that was impacted. There are difficulties as a result of the storm in already environmentally stricken Haiti, Jamaica and other areas of the Caribbean as well as areas of Canada. Please consider sending some aid to Haiti in whatever form you can.

The intent of my new recording  And So We Carry On  - music for the people, addresses the impact of events in our lives like the Superstorm Sandy. The music is my offering to help us move forward and empower us through times of collective and/or personal crisis.

If you haven't seen the video about the making of And So We Carry On, you can it view here:

AND SO WE CARRY ON

 And So We Carry On holds this week at # 4 on the national Jazz Week Chart - but is flirting with higher standing!  If you haven't picked up the CD yet, the only place you can get the physical copy is from my website. It's available to download on my site and everywhere! 
Click here to:  Buy it Now











Excerpts from the latest review of And So We Carry On -

“There’s nothing syrupy or overly sweet about this music. There’s just plenty of great straight ahead playing from Clifton as he heads various groups through this set of his own compositions as well music by Rogers and Hart and Strouse and Charmin …. Fantastic soloing from Clifton, pianist Monty Alexander, trumpeter Wallace Roney and vibraphonist Warren Wolf along with a slew of other great musicians …. It’s evident that everyone involved were having a joyful, inspired time recording this CD, and you definitely get the same results from listening too.”

                             

-       Bob Cochran / The Cultural Purveyor

You can read the full review here:
http://culturalpurveyor.com/clifton-andersons-musical-celebration/
 

THE TEAM


I'd like to continue to thank some of the people instrumental in making And So We Carry On. 

John F. Adams

My man John Adams offered his assistance in a variety of ways to this project, as a production assistant but also rendering his critical ear to the process. John is an accomplished musician having been the musical director for many artists like Freddie Jackson and Phyllis Hyman, in addition to work with Harry Belafonte and holding the Assistant Conductor chair for the Broadway musical "Your Arms To Short To Box With God".

John and I go way back. We formed the production company - Change The World Productions in the early 1980's along with Victor See Yuen, who performs on some tracks on the recording as well. Needless to say it was invaluable having John's expertise along for the ride!






RECORDING CREW

Todd Whitelock, Brian McKenna, Me, Andy Taub

Studio

I was very fortunate to find Andy Taub and Brooklyn Recording Studio. 
Andy was recommended to me by Steve Jordan, who performs on 4 tracks on the CD. As well as being a superlative drummer/musician Steve Jordan is also an accomplished producer. When he recommended Brooklyn Recording I had to take notice. I'm glad I did, as it's proprietor Andy Taub is a beautiful guy, extremely skilled and took personal interest in the project. His studio is on par with any of the top studios in NYC and is imbued with his warm personality. Andy's engineering and studio made for the right combination to record this project.


Mixing

I had heard of Todd Whitelock through the grapevine but hadn't had the opportunity to work with him before. He came on board as a result of my manager Brian McKenna's strong suggestion to have him mix the recording. I was a little skeptical at first, not because of any doubts in Todd's ability, but because for me, the recording engineer can be closer to the project as he/she is already familiar with my direction and the music. In this case Todd's fresh set of ears and expertise proved an exception to my position.
Working with Todd was a pleasure and we shared and exchanged ideas that ultimately enhanced the performances and overall elevated the recording.


Mastering

I was also fortunate to have Marc Wilder, one of the top mastering engineers in the business on board to master And So We Carry On. I first met Marc at Sony Studios,NYC when he took on the task of mastering Sonny Rollins' "Without A Song/911Concert" recording. I knew what Marc had to work with as these were live recorded tracks not from the greatest source. I was very impressed with what he was able to achieve from what he had to work with. Marc's participation was the needed icing on the audio cake. 


And Thanks to Brian McKenna and MGP for helping me put it all together and releasing And So We Carry On, on his label - Daywood Drive Records.





TRAVEL


From here we continue to:
Luxembourg - Nov. 8                                     
Geneva - Nov.12
London - Nov. 16
Barcelona - Nov. 20



I hope to see you at one of these shows!






COMING SOON

I've been told that the CD cover for And So We Carry On is one of the most eye catching covers to come along in a while. In my next blog I'll discuss how it came about, and the major players involved. I encourage you to subscribe and share your thoughts.


Till then - Best Wishes ........